The horror of a stalemate on Europe's western front: France and Britain on one side of the desolate line of barbed wire, a powerful German army on the other. Jeff Sharra opens the window onto the otherworldly tableau of trench warfare through the eyes of a typical British soldier whose innocent youth is cast into the awful hell of a new and terrifying brand of war. In the air above, a new kind of hero emerges the flying ace. As the conflict enters its third year, a neutral America is goaded into battle, but is woefully unprepared. The responsibility is placed on the shoulders of General John Blackjack Pershing, and by spring 1918, the first wave of the American Expeditionary Force joins the fight in Europe. With the renewed spirit and strength of the untested Americans, the world waits to see if the tide of war can finally be turned.Brilliant does not even begin to describe the Shaara gift. (Atlanta Journal Constitution)
The British Lines, Near Ypres, Western Belgium--Autumn 1915
The darkness was complete, a slow march into a black, wet hell. He was the last man in the short column, one part of a line of twenty men, guided by the low sounds in front of him, soft thumps, boots on the sagging duckboards. There were voices, hard whispers, and, close to him, a hissing growl from the sergeant: "Keep together, you bloody laggards! No stopping!"
No one answered, no protests. Each man held himself tightly inside, the words of the sergeant swept aside by the voices in their own minds, a tight screaming fear, the only response they could have to this march into the black unknown.
They had come as so many had come, crossing the Channel on small steamers, filing through the chaos of the seaports, and after a few days, they had boarded the trains. There was singing, bands playing along the way, the raucous enthusiasm of young recruits. They had stared curiously at the French and Belgian countryside, returning the smiles of the people who greeted them at every stop, and few noticed that as the trains moved farther inland, closer to the vast desolation of the Western Front, the villagers were quieter, the faces more grim. Then the trains stopped, and the men were ordered out onto roads that had seen too much use, repaired and repaired again. They would march now only at night, hidden from the eyes in the air, the aeroplanes that sought out targets for German artillery. If the roads were bad, the small trails and pathways were worse, men stumbling in tight files, moving closer still to the front. The fire in the recruits was dampened now, by the weather, the ever-present mud, the soggy lowlands of Flanders. Then came the first sounds, low rumbles, louder as they marched forward. Even in the darkness, both sides threw a nightly artillery barrage at the other, some firing blind, some relying on the memory of the daytime, a brief glimpse of movement on the road, convoys of trucks and horse-drawn carts. Some had the range, knew every foot of the road that stretched out behind the enemy's lines. Throughout the night, the targets might be unseen, but they were there, and every man at every big gun knew that in the darkness, each road, each small path might be hiding great long lines of men, new recruits, the replacements who marched quietly to the front.
His guts were a twisted knot, his arms pulled to his sides, one hand tightly curled around his rifle, his eyes straining at the unseen man in front of him. The soft wood beneath him was bouncing now, sagging low, and his knees buckled, trying to match the rhythm of the footing. There were more soft sounds, splashes, the duckboards spread across some chasm of black water. His mind tried to focus, one foot in front of the other, keeping his boots on the narrow wooden boards. He imagined a great pond, inky and deep, the duckboards some kind of bridge, but the image was not complete, his mind shouting at him, to the front, focus to the front. The man in front of him made a low grunt, water splashing, the man stepping hard, trying to catch himself.
"Bloody hell!"
He stumbled as well, his boots down in the water, the duckboards sagging too low, and he felt the man suddenly beneath him. He fought for his balance, falling now, one hand pushing down hard on the man's back.
"Get off me, you bloody bastard!"
"Shut up, Greenie! On your feet!" It was the sergeant again, and rough hands grabbed his arm, jerking him upright. Beneath him, the other man pulled himself to his feet, both of them gripped hard by the sergeant.
"Stay awake! Keep moving!"
He wanted to whisper something...
Reviews
GENERAL TOMMY R. FRANKS...
"A gripping account of World War I--from tactics to strategy. The reader feels the horror of the trenches in France and is drawn into the maneuvering of political and military leaders on both sides of the battle. Jeff Shaara shows the dominance of the U.S. military in the context of coalition warfare--as relevant today as it was in 1918."
GENERAL WESLEY CLARK...
"A sweeping, searching look at World War I. Jeff Shaara's novel rings with authenticity, from the feelings of frontline soldiers to the challenges of high-level command."
JOSEPH E. PERSICO, author of Eleventh Month, Eleventh Day, Eleventh Hour...
"Jeff Shaara has again demonstrated that rarest of writing gifts, making literature read like history and history read like literature. He has now shone that talent on another era as he brings World War I to pulsating life."
JOHN MOSIER, author of The Myth of the Great War...
"The best novel about the Great War since Remarque's All Quiet on the Western Front, which it greatly surpasses in depth, scope, and intensity. . . . This account of how the war was really fought will be a real eye opener for anyone interested in historical fiction or modern history."
STEVE FORBES...
"A riveting masterpiece revolving around the ghastly conflict that still profoundly defines the world we live in. With To the Last Man, Shaara cements his reputation as a war writer of Tolstoyan or Homeric dimensions."
MAJOR GENERAL JOHN S. GRINALDS, U.S. Marine Corps (Ret.), President, The Citadel...
"Jeff Shaara's To the Last Man lets you live WWI in the air, in the mud, and in the councils of government in a way that makes you understand how the participants experienced it. Von Richtofen, Lufbery, Ludendorff, and Pershing come alive."
Digital Rights Information
OverDrive WMA Audiobook
Burn to CD:
Not permitted
Transfer to device:
Permitted (6 times)
Transfer to Apple® device:
Permitted
Public performance:
Not permitted
File-sharing:
Not permitted
Peer-to-peer usage:
Not permitted
All copies of this title, including those transferred to portable devices and other media, must be deleted/destroyed at the end of the lending period.